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This long-lost =,master piece of\  hardco;$re#% ga^[ y ero^,ti=,c c+;inem+a centers on;( a handsome young stud who rides \) )his)= mo/(torcycle through myriad sexual encounters, fr-om a s$%occer game’s; l-oc[[ ker %room t$@o (a [phantasm
^=agoric a_nd d.eeply melancholy orgy. A labyrint-[h of all-_-?mal[._e fa`$(:
n%tas:ies  wh:* ose :,outstand;in !\g beauties alway,:(:s end .)up(` fading away wh $ile _)-leavin+g the
]ir sensual prota#.gon$[`ist_  dealing with his own lo*neliness, EQUATION ,)$wa%(s directed ^`!wit!h supreme gr *ace by ^!^ the]  m
y +s teriou@@s Dietri_,.[c+`h de \ Velsa (a@;ka Francis Savel/Fra.$ntz Salier+i)]). A) former pai,$nter, @ d[e/ Velsa@ was also the  owner a$nd a]`)/rtisti]_c_ #
di$*re(ctor o f La Grande Eugèn
e, \one of @/=$the%(^ first drag $
cab]`arets in Pa!!;ris+==!. Years later, he,+, collabor ated with %\Joseph Lo;%(s (\/^e!y on MR. KLEIN (1976) and) DO[:_N GIOVANNI (1979). Hi^s one and`!
 on#ly film, EQ/UATION TO AN ?UN#[KNOWN $stands-* as one of the .most, e+xtrao-
_rdinar%\y@ eroti./c_;, films of all: time.
. “The most melancholic porn film I’ve ever seen. I:(,%
t’s ve% ry sad$:%, *and aest( )hetically be=(aut+ (iful. Just a youn)[g m+ a
!n wand+,eri^ng% through severa^;l) de?pictions -of l,(o?ve a^=$n d%- 
+`choreogr$^aph[ies 
:of love-making`#; 
$%it’s like a ceremony, a cere+m;+on@ $\y o, +f fantasie*)s, e^^+^spe*cially the las+t s= *\equence where the_ main charac.te!)(@r)!/ recalls+ all his? previo?us fantasies,-,^ whi.[ /ch\ come one by/( one around hi`s bed and m#:a\?ke@^ ]` love to him. I think it’s on?e /!of the mos;t beaut;`/iful film sequen+c,es =of] $ French cin^) ema.” --–Yann Gonzalez